Category: Advice for the actor

by Kate McCoy As the demands of casting offices and production companies evolve, the requests for self-taping has increased. You might opt to have your audition professionally recorded, in which case a lot of the work is done for you. If, however, you choose to tape the audition yourself – either your schedule doesn’t allow you the time to go into a studio or you simply want to save money…

So you’ve decided that you want to make the leap. You’re going to give up your 9-5 day job and pursue your acting career full time so that you can focus on doing what you love and what you were born to do. Before you make the crucial step of leaving your full-time employment, we at ASC want to make sure you’ve considered all the necessary steps to becoming a…

by Jill Monaco   My friend Chris Agos wrote a great piece about using the EAR Prompter, also know as the EAR,  a few weeks back. It was taken from his book Acting in Chicago, which helps people understand the industry more than any other book I’ve read.   Chris and I have worked together many times. When I knew I was going to be booked with him I was thrilled. Why? Because if…

At Acting Studio Chicago we are extremely proud of our faculty…..and their books! Jeff Lupetin, Voice Actor Extraordinaire, teaches several VO classes and is the author of ULTIMATE VOICEOVER.  Check out these great tips from Jeff ‘s  book. Below are some extremely practical pacing tips that you can use at your very next Voiceover audition! ULTIMATE VOICEOVER TIP! Always read the first line of your copy more slowly than the…

Grind and hustle….  Hustle and grind. Those are the classic actions of the Chicago actor, are they not? Bouncing from one audition, show, set to the next. All the while, trying to maintain a sense of control over the uncontrollable fluster of your creative life. Have you ever thought about creating your own work? At the end of the day, we are each in control of our preparation, choices, and…

by Gail Rastorfer of Artistic Strategies 1. Have a War Chest Just like any move, make sure you have the money in hand to get out to L.A., to put a deposit down for a place to stay and to have AT LEAST two months worth of living expenses in hand. You will also want money for classes/headshots/etc. If you decide becoming an L.A. Actor is your goal in ‘x’…

Chris Agos is an actor who books work in all aspects of the business and who has worked in both the Chicago and the L.A. markets. Chris taught On Camera and VO classes at A.S.C. for over five years. As someone who now travels between markets, we are lucky to have him back teaching a workshop on transitioning from Chicago to L.A.  Chris is also the author of the popular and…

by Brian Plocharczyk   The last few years I have been approached by a large number of my fellow actors, and voice-over students about whether or not they really need to set up a home voice-over studio and how to do it. The quick answer is yes you need one, but what exactly that means can vary greatly.  It drives me insane when I see fellow professionals running off to a…

Learning to navigate the “business” and demystify the actor-agent relationship is much of what I teach every Winter to BFA Seniors at the Theatre School at DePaul University. This year the students were assigned to interview the agents. Two students visited each Chicago SAG-AFTRA franchised agency and asked them questions about their agencies, audition advice and marketing for actors.  Not only were the agents generous with their time, they also…

Oh, the day job. Most of us need one in order to survive, but as actors, we need flexibility in our work schedule. This can be a challenge because it means the typical 9-5 job isn’t going to work for us. So what do we do? It means that most of us need to be resourceful and flexible to create a stable income while we audition for that guest-starring role…